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Contents.Biography Early life Valli was born in Pola, (today, Croatia; until 1918 it had formed part of ). Her paternal grandfather was the Baron Luigi Altenburger (also: Altempurger), an Austrian-Italian from, a descendant of the Counts d'Arco; her paternal grandmother was Elisa Tomasi from Trento, a cousin of the Roman senator. Valli's mother, Silvia Oberecker della Martina, born in Pola, was the daughter of Felix Oberecker (also: Obrekar) from Laibach, Austria (now Ljubljana, Slovenia); her mother was Virginia della Martina from Pola, Istria (then part of Austria). Valli's maternal granduncle, Rodolfo, was a close friend of. Valli was christened Baroness Alida Maria Laura Altenburger von Marckenstein-Frauenberg. During her lifetime she also gained the titles Dr.h.c.
University of Rome, Chevalier of Arts of France and Cavaliere of the Italian Republic.Career. Alida Valli with, scene from the film, 1954At fifteen, she went to, where she attended the Centro Sperimentale di Cinematografia, a school for film actors and directors. At that time, she lived with her uncle Ettore Tolomei. Valli started her movie career in 1934, in Il cappello a tre punte ( The Three Cornered Hat) during the so-called cinema era. Her first big success came with the movie Mille lire al mese (1939). After many roles in a large number of comedies, she earned her success as dramatic actress in (1941), directed by, for which she won a special Best Actress award at. During the, she starred in many movies, including (1942) (whose song 'Ma l'amore no' became the leitmotif of the Italian forties) and the Noi Vivi / Addio Kira!
(1943) (based on 's novel ). These latter two movies were nearly censored by the Italian government under, but they were finally permitted because the novel upon which they were based was anti-Soviet. The films were successful, and the public easily realized that they were as much against Fascism as Communism.
After several weeks, however, the films were pulled from theaters as the German and Italian governments, which abhorred communism, found out the story also carried an anti-fascist message.By her early 20s already widely regarded as the 'most beautiful woman in the World', Valli had a career in films through, who signed her to a contract, thinking that he had found a second. In Hollywood, she performed in great successes and memorable movies, as 's masterpiece (1947); with, in the first non-musical performance of the latter, (1948); alongside and in 's (1949), regarded as one of the best movies ever made worldwide and the; and again with in (1950). Through these and other movies she became a Hollywood star and gained international renown, often credited but with the cursive word Valli, which would become her characteristic 'wordmark' in America. However, as the actress couldn't stand the strict rules of, who, as it is widely known, used to impose total control on his actors, Valli managed to get her contract's rescission, though with the payment of a high from her part.She returned to in the early 1950s, and starred in many French and Italian films. In 1954, she had great success in the melodrama, directed. In that film, set in mid-19th-century during the, she played a Venetian countess torn between nationalistic feelings and an adulterous love for an officer (played by ) of the occupying Austrian forces.In 1956, Valli decided to stop making movies, concentrating instead on the stage. She was in charge of a company that produced plays in Italy.In 1959, she appeared in 's horror masterpiece ( Eyes Without a Face).
From the 1960s, she worked in several pictures with famous directors, such as 's ( Oedipus Rex), 1967; 's, 1972;, 1976, and 's, 1977. Her final movie role was in Semana Santa (2002), with.
In Italy, she was also well known for her stage appearances in such plays as 's; 's; 's; and 's. At the in 1997 Alida Valli obtained the Golden Lion award for her career.Name used in billing When Valli went to the United States, she was billed by only her last name 'to make her sound even more exotic.' In 1951, she complained that she disliked the single-name reference. 'I feel silly going around with only one name,' she said. 'People get me mixed up with.' Personal life Her teenage love, was a famous Italian aerobatic pilot.
He served as a with the and was killed during a mission over British-held on 14 April 1941.Valli's movie career suffered in 1953 from a scandal surrounding the death of, whose body was found on a public beach near; prolonged investigations resulted, involving allegations of drug and sex orgies in Roman society. Among the accused – all of whom were acquitted, leaving the case unsolved – was Valli's lover, jazz musician (son of the Italian Minister of Foreign Affairs).Valli married Oscar de Mejo in 1943 and filed for divorce from him in 1949, but they reconciled.
She had two sons with him. Death Valli's death at her home on 22 April 2006 was announced by the office of the mayor of,.The critic wrote in his book The Great Movie Stars: The International Years, that on the basis of her best known films before 1950, she might seem to be 'one of Hollywood's least successful continental imports', but a viewer of 'any two or three of the films she has made since then. Will probably regard her as one of the half-dozen best actresses in the world'. The French critic wrote: 'She was the only actress in Europe to equal or '.Filmography. (German).
Now part of. Adam Bernstein (2006-04-24). Washington, D.C.: The Washington Post Company. Retrieved 2008-09-22., 2015-12-22 at the, 25 aprile 2006. The Decatur Herald. January 3, 1956.
Retrieved July 11, 2015 – via. ^. Statesville Record And Landmark. January 22, 1951. Retrieved July 11, 2015 – via. Lyman, Robert.
The Longest Siege: Tobruk- The Battle that Saved North Africa 2009, p. 152. Giovanni Pesce. The Times Record. March 22, 1954. Retrieved July 11, 2015 – via.
Parsons, Louella O. (July 6, 1949). Lubbock Evening Journal. Retrieved July 11, 2015 – via. Lubbock Morning Avalanche.
March 2, 1950. Retrieved July 11, 2015 – via. David Shiopman The Great Movie Stars, London: Macdonald, 1989, p.586. 'Those Were the Days'. Nostalgia Digest. 35 (2): 32–39.
Spring 2009.External links.
Youth detention centre. Daphne, arrested for theft, falls in love with Josh, who is also a young robber. Men and women can not meet in jail and love is forbidden. Daphne and Josh's relationship is only based on glances from one cell to the other, short conversations through the bars and secret letters. The prison is not the only deprivation from freedom but becomes also where love is impossible. Fiore is the story of the desire to love of a teenager girl and the power of an emotion that breaks every law.
The weirdest thing about this film is the title: fiore. It means 'flower' but for the whole length of the movie we don't get to see any or even hear the word.
![Fiori Fiori](http://i.imgur.com/WKqXTNl.png)
Except for the star of the movie (a non-pro actress) whose real and fictional names are both daphne, which is the botanical name of a genus of shrubs. Intentionally or not when the closing titles are over we can't avoid thinking about both the film and the lead actress as a flower, young and wounded, bold and frail, beautiful and venomous, facing destruction and still faithful to her nature. She is great.
She doesn't steal the focus of the viewer, she doesn't overact. She's perfect as a confused, bewildered, passionate, abandoned adolescent looking for her place and something nice and meaningful to do. The plot, the photography, the writing, even the soundtrack: everything seems very simple or - better - essential; flowerish - again.
Yet the realism level is quite high: very good job to the writers, the director and the actors. The director's agenda (he gave interviews about it) is to show how pointless is putting young 'criminals' into a prison. While the next question to this main topic rests unanswered (then what should we do?) in the film, I really liked how he showed why his perspective deserves to be pondered (if not adopted) by a wider audience. Unfortunately very few will have access to this film: but if you have a chance, you should watch it.